![]() However, starting at the second octave above middle C, it thins out considerably and has a metallic characteristic, and does not cut through as well. The strength of this sample appears to be in the low, mid, and upper-mid ranges the bass is very cutting and the mid to upper-mid range is solid yet punchy without sounding like a plucked banjo. He then came over to me and said, "What the did you do?" (Ha!). After the dinner music, when I switched to patch #4, I thought our sound man was going to jump through the ceiling as soon as I hit a strong octave bass.he immediately grabbed the fader and turned it down. The darker pianos worked fine for dinner music (light jazz/standards), and I suspect they would work equally well in a solo situation. It cut through the mix better than some of the "darker" pianos. ![]() For a band application, I prefer patch #4, although I'm not sure which piano sample this is (anyone know?). My trusty Korg Trinity was on the second-tier of my Invisible stand, and was controlled from the NS's "Panel B" Extern section. ![]() ![]() I triggered the RP-X from a Nord Stage through the NS's "Extern" section (Panel A) and ran it in mono through my Barbetta SE-32. I just gigged with my RP-X for the first time with my band last night (dinner dance at a medium-sized hall with good acoustics).
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